Examines the intersection of the public and private meaning of music. This book incorporates the music criticism of Adorno, musical ideas from literary works by Proust, and criticism by Benjamin and de Man, and discusses performers such as Glenn Gould, Arturo Toscanini, and Alfred Brendel and such composers as Beethoven, Wagner, and Strauss.


Format Häftad Omfång 109 sidor Språk Engelska Förlag Columbia University Press Utgivningsdatum 1993-11-11 ISBN 9780231073196