From the cellular to the galactic, via Paleolithic cave markings to the trace impressions left by drone photography on our mind's eye, incorporating dancing plagues, communist psychedelic witches, hyper-sexual fungi, chthonic descents, and skyward ascents, The Neon Hieroglyph weaves together a series of painterly and poetic considerations on a feminized history of the rye fungus Ergot, the chemical basis of LSD.

The Neon Hieroglyph constructs a house of lyrical reflections for our ghosts to inhabit, a place where the gothic and the hallucinatory collide, where gothic affect and fractal dread form a mausoleum for psychedelic specters. And also the Sun The Sun is a ghost that haunts the night Framed with new essays by artist and writer Caspar Heinemann and anthropologist Amy Hale, Tai Shani's The Neon Hieroglyph continues a journey into the post-patriarchal fictions that animated her first collection Our Fatal Magic.