This publication is the first-ever monograph on artist Frances-Anne Johnston, one of Canada's foremost painters of still lifes, flowers, and interiors. Exploring the extensive artistic career of this under-represented artist, the book also situates her within 20th-century Canadian art history and feminist theoretical contexts. In addition to beautiful colour illustrations of Johnston's work, this volume features critical essays, and an extensive exhibition history.

Through primary research, curator Rebecca Basciano interprets Johnston's mastery of technique and subject matter, while demonstrating the artist's unique aesthetic and skill through an exploration of several important artworks. Similarly, art historian and scholar Catharine Mastin, in her ongoing investigation of Canadian "artist couples," exposes the challenges faced by women artists -- including Johnston -- who often juggled their own artistic practices with the demands of child-rearing and supporting their husbands' careers.

Finally, as a critical aspect of this reclamation work, Frances-Anne Johnston's own voice is revealed in a republished article that she wrote in 1955 for Mayfair. Together, these insightful essays constitute a feminist recovery project by not only situating Johnston among her male contemporaries, but also by creating new space for the appreciation and validation of a practice that was shaped by domestic realities, including motherhood.