In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race.


Format Häftad Omfång 384 sidor Språk Engelska Förlag Duke University Press Utgivningsdatum 2016-04-29 ISBN 9780822360940