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Wu Mas The Manchu Boxer (1974) is a Shaw Brothers martial arts revenge tale where oppression and corruption fuel a young fighters struggle for justice. Blending kinetic kung fu action with the studios trademark style, it stands as a classic slice of Hong Kong martial arts cinema from the golden age.

Sammo Hung and Maggie Cheung star in Paper Marriage (1988), a Hong Kong blend of martial arts comedy and heartfelt drama about a marriage of convenience that turns into something deeper. Mixing fast-paced fight choreography with screwball humor and tender character moments, the film reflects the vibrant spirit of late-80s Hong Kong cinema.

Shanghai Shanghai (1990) unites Sammo Hung, Yuen Biao, and Anita Mui in a stylish martial arts adventure set in 1930s Shanghai. Blending period action, romantic intrigue, and comic energy, the film delivers fast-paced fight choreography and a pulpy gangster-era atmosphere, showcasing the star power of Hong Kongs golden age.

Eureka

Just as the kung fu film seemed to be losing steam as the 1970s came to a close, a new generation of martial arts stars rose to the top of Hong Kong cinema. Amongst them were Yuen Biao, Jackie Chan and the irrepressible Sammo Hung, who found fame as the director and star of The Iron-Fisted Monk, The Magnificent Butcher and Encounter of the Spooky Kind. Presented here are three films spanning Hungs career, from a supporting role in The Manchu Boxer to stardom in Paper Marriage and Shanghai, Shanghai.

In Wu Mas The Manchu Boxer, Hung (who doubles up as the films fight choreographer) plays the villainous foil to a roaming martial artist who enters a boxing tournament to defeat a gang of bandits. Then, in the action comedy&n