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Luigi Bazzonis The Fifth Cord (1971) is a visually striking giallo following a cynical journalist who becomes a suspect and investigator in a series of brutal murders. With elegant cinematography, icy atmosphere, and a brooding Franco Nero performance, it stands as one of the most sophisticated Italian thrillers of the era.

Arrow Films

The success of Dario Argento s The Bird with the Crystal Plumage ushered in a host of imitators, seeking to capitalise on this new, modern take on the giallo thriller. Many were highly derivative, but a number nonetheless rose above the crowd thanks to skilful execution and a willingness to experiment stylistically. Once such example is The Fifth Cord which, in the hands of director Luigi Bazzoni (The Possessed, Footprints on the Moon), turns a conventional premise into a visually stunning exploration of alienation and isolation.

When a man barely survives a brutal assault en route home from a New Year s party, washed-up, whisky-swilling journalist Andrea Bild (Franco Nero, Django) is assigned to report on the case. Before long, the maniac strikes again, this time with fatal results. As the body count rises, Andrea falls under suspicion himself, making it even more imperative that he crack the case. His only clue lies in a series of black gloves found at the location of every attack, each with a finger cut off...

Adapted from a novel by David McDonald Devine, The Fifth Cord boasts a complex, Agatha Christie-esque plot, outstanding cinematography courtesy of future Oscar-winner Vittorio Storaro (Apocalypse Now) and supporting appearances by a raft of genre stalwarts, including Silvia Monti (A Lizard in a Woman s Skin), Edmund Purdom (Nightmare City) and Rossella Falk (Sleepless). Debuting here in high definition, arguably the most visually s