Arrow Video

Twenty three years after Alfred Hitchcocks Psycho shattered expectations and shocked audiences around the world, Australian filmmaker Richard Franklin (Patrick, Road Games) boldly followed in the masters footsteps and directed Psycho II, a sequel that not only delivered on the promise of his earlier films, but arguably lived up to the original. Norman Bates (Anthony Perkins) is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis (née Crane, Vera Miles) sister of Normans most famous victim. All Norman wants to do is live quietly and productively as a normal member of society. But is returning to the house he once shared with his mother, and running the motel that was the site of so many murders, really a good idea? Is he cured, or will he kill again?

Psycho III would see Anthony Perkins himself take the franchises reins for his directorial debut, bringing a stylish flair that suggested his time working with not only Alfred Hitchcock, but Orson Welles and Ken Russell had been well spent. A fallen nun (Diana Scarwid), a sleazy drifter (Jeff Fahey), and a curious reporter looking for a scoop (Roberta Maxwell) all arrive at the Bates Motel and Mother is less than happy, especially when Norman begins to fall in love. Meanwhile, Psycho IV: The Beginning, written by Joseph Stefano (screenwriter of the 1960 original) and directed by master of horror Mick Garris, returns to the primal scene to show us how it all began in Anthony Perkins final franchise appearance. Rehabilitated and happily married, Norman Bates has finally escaped from the overbearing influence of his abusive mother. But his wife is pregnant, and Norman finds himself afraid that the child will inherit his mental illness. When he hears talk radio host Fran Ambrose (CCH Pounder) discussing the topic of matricide, Norman calls in under a false name, to tell his story