Limited Edition version.

Robert Hosseins The Wicked Go to Hell (1955)
A moody French noir based on Frédéric Dards play. Two convicts escape from prison only to find themselves trapped in a psychological struggle of betrayal, guilt, and paranoia. Taut, minimalist, and fatalistic, its a classic slice of post-war French noir blending existential tension with claustrophobic suspense.

Robert Hosseins Nude in a White Car (1958)
A sensual, fatalistic French noir about obsession and guilt.A man becomes entangled with two mysterious sisters after a late-night encounter, leading to deceit and tragedy. Stylish, seductive, and morally ambiguous, its a quintessential example of 1950s French psychological noir.

Robert Hosseins The Taste of Violence (1961)
Moves from noir intimacy to political revolution. Set in a fictional Latin American country, a band of rebels kidnaps a generals daughter, sparking a journey across hostile terrain where ideals and survival clash. Visually striking and morally complex, its a bleak, anti-heroic fusion of political thriller and war adventure.

A prison break, femme fatales and a genre-defining western: Robert Hossein (Rififi) was, both behind and in front of the camera, one of French cinemas great unsung stylists. Three of his finest genre exploits are collected here.

In a hard penitentiary, two prisoners fight off the rumour that one of them denounced a recently executed inmate. With their fellow convicts at their throats they join forces and escape. Along the way, they hole up in a remote beach cabin where they take the angel-faced occupant (Marina Vlady, 2 or 3 Things I Know About Her) as their hostage while they figure out their next move. The feature debut of Robert Hossein, The Wicked Go to Hell was adapted from the novel by celebrated crime writer Frédéric Dard (Paris Pick